|The Migrant Experience|
Background to Of Mice and Men by John Steinbeck Migrant Farm Workers
Death in the dust
Saturday February 2, 2002
The Grapes of Wrath From Wikipedia, the free encyclopedia
A complex set of interacting forces both economic and ecological brought the migrant workers documented in this ethnographic collection to California. Following World War I, a recession led to a drop in the market price of farm crops and caused Great Plains farmers to increase their productivity through mechanization and the cultivation of more land. This increase in farming activity required an increase in spending that caused many farmers to become financially overextended. The stock market crash in 1929 only served to exacerbate this already tenuous economic situation. Many independent farmers lost their farms when banks came to collect on their notes, while tenant farmers were turned out when economic pressure was brought to bear on large landholders. The attempts of these displaced agricultural workers to find other work were met with frustration due to a 30 percent unemployment rate.
At the same time, the increase in farming activity placed greater strain on the land. As the naturally occurring grasslands of the southern Great Plains were replaced with cultivated fields, the rich soil lost its ability to retain moisture and nutrients and began to erode. Soil conservation practices were not widely employed by farmers during this era, so when a seven-year drought began in 1931, followed by the coming of dust storms in 1932, many of the farms literally dried up and blew away creating what became known as the "Dust Bowl." Driven by the Great Depression, drought, and dust storms, thousands of farmers packed up their families and made the difficult journey to California where they hoped to find work. Along with their meager belongings, the Dust Bowl refugees brought with them their inherited cultural expressions. It is this heritage that Charles L. Todd and Robert Sonkin captured on their documentation expedition to migrant work camps and other sites throughout California.
Why did so many of the refugees pin their hopes for a better life on California? One reason was that the state's mild climate allowed for a long growing season and a diversity of crops with staggered planting and harvesting cycles. For people whose lives had revolved around farming, this seemed like an ideal place to look for work. Popular songs and stories, circulating in oral tradition for decades (for more on this topic see "The Recording of Folk Music in Northern California" by Sidney Robertson Cowell), exaggerated these attributes, depicting California as a veritable promised land. In addition, flyers advertising a need for farm workers in the Southwest were distributed in areas hard hit by unemployment. An example of such a flyer, publicizing a need for cotton pickers in Arizona, is contained in Charles Todd's scrapbook. Finally, the country's major east-west thoroughfare, U.S. Highway 66 -- also known as "Route 66," "The Mother Road," "The Main Street of America," and "Will Rogers Highway" -- abetted the westward flight of the migrants. A trip of such length was not undertaken lightly in this pre-interstate era, and Highway 66 provided a direct route from the Dust Bowl region to an area just south of the Central Valley of California.
Although the Dust Bowl included many Great Plains states, the migrants were generically known as "Okies," referring to the approximately 20 percent who were from Oklahoma. The migrants represented in Voices from the Dust Bowl came primarily from Oklahoma, Texas, Arkansas, and Missouri. Most were of Anglo-American descent with family and cultural roots in the poor rural South. In the homes they left, few had been accustomed to living with modern conveniences such as electricity and indoor plumbing. The bulk of the people Todd and Sonkin interviewed shared conservative religious and political beliefs and were ethnocentric in their attitude toward other ethnic/cultural groups, with whom they had had little contact prior to their arrival in California. Such attitudes sometimes led to the use of derogatory language and negative stereotyping of cultural outsiders. Voices from the Dust Bowl illustrates certain universals of human experience: the trauma of dislocation from one's roots and homeplace; the tenacity of a community's shared culture; and the solidarity within and friction among folk groups. Such intergroup tension is further illustrated in this presentation by contemporary urban journalists' portrayals of rural life, California farmers' attitudes toward both Mexican and "Okie" workers, and discriminatory attitudes toward migrant workers in general.
Todd and Sonkin also held recording sessions with a few Mexican migrants living in the El Rio Farm Security Administration (FSA) camp. Unfortunately, the glass-based acetate discs on which the Spanish-language musical performances were recorded did not survive. However, photos from El Rio and interviews with Jose Flores and Augustus Martinez provide a glimpse into the lives and culture of non-Anglo farm workers. This material illustrates that Mexican immigrants had long been an integral part of agricultural production in the United States and were not newcomers on the scene even in 1940. In fact, when the Dust Bowl families arrived in California looking for work, the majority of migrant farm laborers were either Latino or Asian, particularly of Mexican and Filipino descent. Voices from the Dust Bowl is particularly relevant for us today since it demonstrates that living and working conditions of agricultural migrant laborers have changed little in the intervening half century.
California was emphatically not the promised land of the migrants' dreams. Although the weather was comparatively balmy and farmers' fields were bountiful with produce, Californians also felt the effects of the Depression. Local and state infrastructures were already overburdened, and the steady stream of newly arriving migrants was more than the system could bear. After struggling to make it to California, many found themselves turned away at its borders. Those who did cross over into California found that the available labor pool was vastly disproportionate to the number of job openings that could be filled. Migrants who found employment soon learned that this surfeit of workers caused a significant reduction in the going wage rate. Even with an entire family working, migrants could not support themselves on these low wages. Many set up camps along irrigation ditches in the farmers' fields. These "ditchbank" camps fostered poor sanitary conditions and created a public health problem.
Arrival in California did not put an end to the migrants' travels. Their lives were characterized by transience. In an attempt to maintain a steady income, workers had to follow the harvest around the state. When potatoes were ready to be picked, the migrants needed to be where the potatoes were. The same principle applied to harvesting cotton, lemons, oranges, peas, and other crops. For this reason, migrant populations were most dense in agricultural centers. The territory covered by Todd and Sonkin in this project ranged from as far south as El Rio, just north of Oxnard, to as far north as Yuba City, north of Sacramento. Much of the documentation was concentrated in the San Joaquin Valley.
The Arvin Migratory Labor Camp was the first federally operated camp opened by the FSA in 1937 and the starting point of the Todd/Sonkin expedition. The camps were intended to resolve poor sanitation and public health problems, as well as to mitigate the burden placed on state and local infrastructures. The FSA camps also furnished the migrants with a safe space in which to retire from the discrimination that plagued them and in which to practice their culture and rekindle a sense of community. Although each camp had a small staff of administrators, much of the responsibility for daily operations and governance devolved to the campers themselves. Civil activities were carried out through camp councils and camp courts. Proceedings of council meetings and court sessions can be found among the audio files in this online presentation. Project fieldnotes provide further information about the composition, operation, and context of these bodies as well as details about camp occupancy and organization.
When they were not working or looking for work, or tending to the civil and domestic operations of the camp, the migrants found time to engage in recreational activities. Singing and making music took place both in private living quarters and in public spaces. The music performed by the migrants came from a number of different sources. The majority of pieces belong to the Anglo-Celtic ballad tradition. Songs such as "Barbara Allen", "The Brown Girl", "Nine Little Devils", "Father Rumble", "Lloyd Bateman ", "Pretty Molly ", and "Little Mohee" all reflect this tradition. Gospel and popular music are other sources from which migrants took their inspiration. The minstrel stage, tin pan alley, early country, and cowboy music were all popular music sources that fed the performers' repertoires. The works of the Carter Family, Jimmy Rodgers, and Gene Autry were particular favorites of the migrants. Although all the music in this collection gives us a sense of the informants' cultural milieu, those pieces that document the migrant experience are especially poignant. Songs like Jack Bryant's "Sunny Cal" and Mary Sullivan's ballads "A Traveler's Line" and "Sunny California" all speak of hardship, disappointment, and a deeply cherished wish to return home.
In addition to songs and instrumental music, the migrants enjoyed dancing and play-party activities (singing games accompanied by dance-like movements). Included in this online presentation are square dance calls, such as "Soldier's Joy" and "Sally Goodin", and play-party rhymes like "Skip to My Lou" and "Old Joe Clark." Newsletters produced by camp residents provided additional details about camp social life and recreational activities.
As World War II wore on, the state of the economy, both in California and across the nation, improved dramatically as the defense industry geared up to meet the needs of the war effort. Many of the migrants went off to fight in the war. Those who were left behind took advantage of the job opportunities that had become available in West Coast shipyards and defense plants. As a result of this more stable lifestyle, numerous Dust Bowl refugees put down new roots in California soil, where their descendants reside to this day. Voices from the Dust Bowl provides a glimpse into the everyday life and cultural expression of a group of people living through a particularly difficult period in American history. Charles L. Todd's articles "The Okies Search for a Lost Frontier" and "Trampling out the Vintage: Farm Security Camps Provide the Imperial Valley Migrants with a Home and a Hope" give an overview of the historical, economic, and social context in which this collection was created.
Robin A. Fanslow
American Folklife Center
Library of Congress
By the time that Of Mice and Men was published almost half of America's grain was harvested by huge combine harvesters. Five men could do what would have taken 350 men a few years earlier. George and Lennie are some of the last of the migrant farm workers. Huge numbers of men traveled the countryside between the 1880s and the early 1930s harvesting wheat. They earned $2.50 or $3.00 a day, plus food and very basic accommodation. During the 1930s, when there was very bad unemployment in the United States, agencies were set up under the New Deal to send farm workers to where they were needed. George and Lennie got their works cards from Murray and Ready's, one of these agencies.
Three years before publication of his masterpiece The Grapes Of Wrath, John Steinbeck visited squatters' camps in California. To mark the centenary of his birth, we print this account - previously unpublished in the UK - of the misery that he witnessed
^ The Guardian
The squatters' camps are located all over California. Let us see what a typical one is like. It is located on the banks of a river, near an irrigation ditch or on a side road where a spring of water is available. From a distance it looks like a city dump, and well it may, for the city dumps are the sources for the material of which it is built. You can see a litter of dirty rags and scrap iron, of houses built of weeds, of flattened cans or of paper. It is only on close approach that it can be seen that these are homes.
Here is a house built by a family who have tried to maintain a neatness. The house is about 10 feet by 10 feet, and it is built completely of corrugated paper. The roof is peaked, the walls are tacked to a wooden frame. The dirt floor is swept clean, and along the irrigation ditch or in the muddy river the wife of the family scrubs clothes without soap and tries to rinse out the mud in muddy water.
The spirit of this family is not quite broken, for the children, three of them, still have clothes, and the family possesses three old quilts and a soggy, lumpy mattress. But the money so needed for food cannot be used for soap nor for clothes.
With the first rain the carefully built house will slop down into a brown, pulpy mush; in a few months the clothes will fray off the children's bodies, while the lack of nourishing food will subject the whole family to pneumonia when the first cold comes. Five years ago this family had 50 acres of land and $1,000 in the bank. The wife belonged to a sewing circle and the man was a member of the Grange. They raised chickens, pigs, pigeons and vegetables and fruit for their own use; and their land produced the tall corn of the middle west. Now they have nothing.
If the husband hits every harvest without delay and works the maximum time, he may make $400 this year. But if anything happens, if his old car breaks down, if he is late and misses a harvest or two, he will have to feed his whole family on as little as $150. But there is still pride in this family. Wherever they stop they try to put the children in school. It may be that the children will be in a school for as much as a month before they are moved to another locality.
There is more filth here. The tent is full of flies clinging to the apple box that is the dinner table, buzzing about the foul clothes of the children, particularly the baby, who has not been bathed nor cleaned for several days. This family has been on the road longer than the builder of the paper house. There is no toilet here, but there is a clump of willows nearby where human faeces lie exposed to the flies - the same flies that are in the tent.
Two weeks ago there was another child, a four-year-old boy. For a few weeks they had noticed that he was kind of lackadaisical, that his eyes had been feverish. They had given him the best place in the bed, between father and mother. But one night he went into convulsions and died, and the next morning the coroner's wagon took him away. It was one step down.
They knew pretty well that it was a diet of fresh fruit, beans and little else that caused his death. He had had no milk for months. With this death there came a change of mind in this family. The father and mother now feel that paralysed dullness with which the mind protects itself against too much sorrow and too much pain.
Here, in the faces of the husband and his wife, you begin to see an expression you will notice on every face; not worry, but absolute terror of the starvation that crowds in against the borders of the camp. This man has tried to make a toilet by digging a hole in the ground near his house and surrounding it with an old piece of burlap. But he will only do things like that this year. He is a newcomer and his spirit and his decency and his sense of his own dignity have not been quite wiped out. Next year he will be like his next-door neighbour.
This is a family of six; a man, his wife and four children. They live in a tent the colour of the ground. Rot has set in on the canvas so that the flaps and the sides hang in tatters and are held together with bits of rusty bailing wire. There is one bed in the family and that is a big tick lying on the ground inside the tent. They have one quilt and a piece of canvas for bedding. The sleeping arrangement is clever. Mother and father lie down together and two children lie between them. Then, heading the other way, the other two children lie, the littler ones.
If the mother and father sleep with their legs spread wide, there is room for the legs of the children. And this father will not be able to make a maximum of $400 a year anymore because he is no longer alert; he isn't quick at piecework, and he is not able to fight clear of the dullness that has settled on him.
The dullness shows in the faces of this family, and in addition there is a sullenness that makes them taciturn. Sometimes they still start the older children off to school, but the ragged little things will not go; they hide themselves in ditches or wander off by themselves until it is time to go back to the tent, because they are scorned in the school. The better-dressed children shout and jeer, the teachers are quite often impatient with these additions to their duties, and the parents of the "nice" children do not want to have disease carriers in the schools.
The father of this family once had a little grocery store and his family lived in back of it so that even the children could wait on the counter. When the drought set in there was no trade for the store anymore. This is the middle class of the squatters' camp. In a few months this family will slip down to the lower class. Dignity is all gone, and spirit has turned to sullen anger before it dies.
The next-door-neighbour family, of man, wife and three children of from three to nine years of age, have built a house by driving willow branches into the ground and wattling weeds, tin, old paper and strips of carpet against them. A few branches are placed over the top to keep out the noonday sun. It would not turn water at all. There is no bed.
Somewhere the family has found a big piece of old carpet. It is on the ground. To go to bed the members of the family lie on the ground and fold the carpet up over them.
The three-year-old child has a gunny sack tied about his middle for clothing. He has the swollen belly caused by malnutrition. He sits on the ground in the sun in front of the house, and the little black fruit flies buzz in circles and land on his closed eyes and crawl up his nose until he weakly brushes them away. They try to get at the mucus in the eye corners. This child seems to have the reactions of a baby much younger. The first year he had a little milk, but he has had none since. He will die in a very short time.
The older children may survive. Four nights ago the mother had a baby in the tent, on the dirt carpet. It was born dead, which was just as well because she could not have fed it at the breast; her own diet will not produce milk. After it was born and she had seen that it was dead, the mother rolled over and lay still for two days. She is up today, tottering around. The last baby, born less than a year ago, lived a week.
This woman's eyes have the glazed, faraway look of a sleepwalker's eyes. She does not wash clothes anymore. The drive that makes for cleanliness has been drained out of her and she hasn't the energy. The husband was a sharecropper once, but he couldn't make it go. Now he has lost even the desire to talk. He will not look directly at you, for that requires will, and will needs strength. He is a bad field worker for the same reason.
It takes him a long time to make up his mind, so he is always late in moving, and late in arriving in the fields. His top wage, when he can find work now, which isn't often, is $1 a day. The children do not even go to the willow clump anymore. They squat where they are and kick a little dirt. The father is vaguely aware that there is a culture of hookworm, in the mud along the riverbank. He knows the children will get it on their bare feet. But he hasn't the will nor the energy to resist. Too many things have happened to him.
This is the lower class of the camp. This is what the man in the tent will be in six months; what the man in the paper house with its peaked roof will be in a year, after his house has washed down and his children have sickened or died, after the loss of dignity and spirit have cut him down to a kind of subhumanity.
Helpful strangers are not well received in this camp. The local sheriff makes a raid now and then for a wanted man, and if there is labour trouble the vigilantes may burn the poor houses. Social workers have taken case histories. They are filed and open for inspection. These families have been questioned over and over about their origins, number of children living and dead.
The information is taken down and filed. That is that. It has been done so often, and so little has come of it. And there is another way for them to get attention. Let an epidemic break out, say typhoid or scarlet fever, and the county doctor will come to the camp and hurry the infected cases to the pesthouse. But malnutrition is not infectious, nor is dysentery, which is almost the rule among the children.
The county hospital has no room for measles, mumps, whooping cough; and yet these are often deadly to hunger-weakened children. And although we hear much about the free clinics for the poor, these people do not know how to get the aid and they do not get it. Also, since most of their dealings with authority are painful to them, they prefer not to take the chance. This is the squatters' camp. Some are a little better, some much worse. I have described some typical families. In some of the camps there are as many as 300 families like these. Some are so far from water that it must be bought at five cents a bucket. And if these men steal, if there is developing among them a suspicion and hatred of well-dressed, satisfied people, the reason is not to be sought in their origin nor in any tendency to weakness in their character.
· From Of Men and Their Making: The Non-Fiction Of John Steinbeck, edited by Susan Shillinglaw and Jackson J Benson, published by Penguin.
The Grapes of Wrath is a work of fiction written by John Steinbeck and published in 1939. The novel won the Pulitzer Prize in 1940 and it is frequently read in American high school and college literature classes. A celebrated Hollywood film version was made in 1940, starring Henry Fonda and directed by John Ford.
Set in the Great Depression, the popular proletarian novel, in which descriptive, narrative, and philosophical passages succeed one another, tells the story of a family of sharecroppers, the Joads — 'Okie' farmers driven from their land by drought and the Dust Bowl, and forced to endure the hardships of migrant workers moving West. Note the similarity to the name Job (pronounced like "Jobe"), a man from the Old Testament that suffered greatly when tested by God, but remained faithful. The novel details the nearly hopeless situation of the downtrodden American farmer in the years of the Great Depression, and emphasizes cooperative solutions to the social problems brought about by industrialization.
Steinbeck experienced a rough time coming up with a title for the epic. "The Grapes of Wrath", suggested by his wife, Carol, deemed more suitable than any of the names John himself could come up with. The title is a reference to the Battle Hymn of the Republic, by Julia Ward Howe:
"Mine eyes have seen the glory of the coming of the Lord,
He has trampled out the vintage where the Grapes of Wrath are stored,
He has loosed the fateful lightning of his terrible, swift sword,
His Truth is marching on!"
This phrase originally comes from a passage from the Book of Revelation: "And the angel thrust in his sickle into the earth, and gathered the vine of the earth, and cast it into the great winepress of the wrath of God" (14:19).
Steinbeck wrote this book, along with Of Mice and Men, in what is now Monte Sereno, California, in his home at 16250 Greenwood Lane. When he was awarded the Nobel Prize in Literature (1962), the Swedish Academy called the book "an epic chronicle".